About The Process
About The Process
About The Process
My work as a movement director spans both the subtle and the dramatic, from the smallest gestures of elegance, to dancerly detail and bold, kinetic expression. But what ties every project together is the process: movement shaped through research, collaboration, and freedom to play.
Before stepping on set, I dive into the world of the project, researching the talent and creative direction to uncover what physicality will best support the story. This preparation allows me to enter the shoot with clarity, while leaving space for improvisation when the unexpected strikes gold.
My work as a movement director spans both the subtle and the dramatic, from the smallest gestures of elegance, to dancerly detail and bold, kinetic expression. But what ties every project together is the process: movement shaped through research, collaboration, and freedom to play.
Before stepping on set, I dive into the world of the project, researching the talent and creative direction to uncover what physicality will best support the story. This preparation allows me to enter the shoot with clarity, while leaving space for improvisation when the unexpected strikes gold.
My work as a movement director spans both the subtle and the dramatic, from the smallest gestures of elegance, to dancerly detail and bold, kinetic expression. But what ties every project together is the process: movement shaped through research, collaboration, and freedom to play.
Before stepping on set, I dive into the world of the project, researching the talent and creative direction to uncover what physicality will best support the story. This preparation allows me to enter the shoot with clarity, while leaving space for improvisation when the unexpected strikes gold.
I thrive when I’m part of the creative journey from the start: collaborating with directors, stylists, and creative teams to develop references, movement ideas, and refine concepts. When needed, I also lead movement coaching sessions, giving talent time to embody the physicality in advance so it feels natural once the cameras roll.
On set, I help streamline the process. By shaping physicality that communicates instantly, I reduce the trial-and-error that can slow a shoot, freeing directors and photographers to capture a greater range of material.
I thrive when I’m part of the creative journey from the start: collaborating with directors, stylists, and creative teams to develop references, movement ideas, and refine concepts. When needed, I also lead movement coaching sessions, giving talent time to embody the physicality in advance so it feels natural once the cameras roll.
On set, I help streamline the process. By shaping physicality that communicates instantly, I reduce the trial-and-error that can slow a shoot, freeing directors and photographers to capture a greater range of material.
I thrive when I’m part of the creative journey from the start: collaborating with directors, stylists, and creative teams to develop references, movement ideas, and refine concepts. When needed, I also lead movement coaching sessions, giving talent time to embody the physicality in advance so it feels natural once the cameras roll.
On set, I help streamline the process. By shaping physicality that communicates instantly, I reduce the trial-and-error that can slow a shoot, freeing directors and photographers to capture a greater range of material.
Whether for film, fashion, or editorial, my role is to bring depth, efficiency, and imagination - ensuring that movement doesn’t just complement the project, but becomes integral to its storytelling and impact.
Whether for film, fashion, or editorial, my role is to bring depth, efficiency, and imagination - ensuring that movement doesn’t just complement the project, but becomes integral to its storytelling and impact.
Whether for film, fashion, or editorial, my role is to bring depth, efficiency, and imagination - ensuring that movement doesn’t just complement the project, but becomes integral to its storytelling and impact.
